Algorithmic music discovery: What’s behind this?

W dzisiejszym cyfrowym świecie, odkrywanie nowych trendów i rozwoju muzyki w dużej mierze opiera się na algorytmach zarządzanych przez platformy streamingowe, takie jak np. Spotify czy Pandora Internet Radio.

“Infected with Sound”. Vinyl Music Preferences in Poland. (Part IV)

zarażeni dźwiękiem

Once again, we revisit the remarkable book released in 2023 in Poland by Stanisław Trzciński titled “Zarażeni dźwiękiem: Rynek muzyczny w czasach sztucznej inteligencji” (Infected with Sound: The Music Market in the Age of Artificial Intelligence, PWN, Warsaw 2023, pp. 939). It deserves attention for several reasons, including the quantitative and qualitative research conducted on music preferences in Poland.

“Infected by Sound”: Results of Musical Preferences Research in Poland (Part III)

zarażeni dźwiękiem

Once again, we return to the exceptional book released in Poland in 2023 by Stanisław Trzciński titled “Infected by Sound: The Music Market in the Age of Artificial Intelligence” (PWN, Warsaw 2023, pp. 939). It is noteworthy for several reasons, including the quantitative and qualitative research conducted on musical preferences in Poland.

Music – Infected by Sound

Sounds-can-touch-the-deepest-corners-of-the-soul-AI

Music has played a significant role in human life for centuries, inspiring, evoking emotions, and connecting different cultures. In his book “Infected by Sound: The Music Market in the Age of Artificial Intelligence,” Stanisław Trzciński uses an incredibly suggestive term that refers to the processes occurring in music and the influence that music has on listeners. Can it be then considered that music truly infects us with sounds, affecting our thoughts, emotions, and well-being?

„Infected by sound”. Results of research on musical preferences in Poland (Part II)

zarażeni dźwiękiem

In 2023, a unique book by Stanisław Trzciński titled “Infected by Sound: The Music Market in the Age of Artificial Intelligence” [Zarażeni dźwiękiem. Rynek muzyczny w czasach sztucznej inteligencji] was published in Poland (PWN, Warsaw 2023, pp. 939). It stands out not only due to its intriguing title (“Infected by Sound”) but also because of the conducted quantitative and qualitative research on musical preferences in Poland.