Music in interaction. IFPI “Engaging with Music” Report 2023
![Engaging with Music](https://i0.wp.com/polvinyl.pl/wp-content/uploads/2024/03/engaging-with-music-2023-blog.jpg?fit=800%2C353&ssl=1)
“Engaging with Music” raport IFPI to największe tego rodzaju badanie, które dostarcza unikatowego spojrzenia na fanów z całego świata angażujących się w muzykę, która jest nieodłączną częścią ich życia.
“Infected by Sound”: Results of Musical Preferences Research in Poland (Part III)
![zarażeni dźwiękiem](https://i0.wp.com/polvinyl.pl/wp-content/uploads/2023/12/zarazeni-dzwiekiem-blog.jpg?fit=800%2C353&ssl=1)
Once again, we return to the exceptional book released in Poland in 2023 by Stanisław Trzciński titled “Infected by Sound: The Music Market in the Age of Artificial Intelligence” (PWN, Warsaw 2023, pp. 939). It is noteworthy for several reasons, including the quantitative and qualitative research conducted on musical preferences in Poland.
Music – Infected by Sound
![Sounds-can-touch-the-deepest-corners-of-the-soul-AI](https://i0.wp.com/polvinyl.pl/wp-content/uploads/2023/12/Sounds-can-touch-the-deepest-corners-of-the-soul-AI-blog.jpg?fit=800%2C353&ssl=1)
Music has played a significant role in human life for centuries, inspiring, evoking emotions, and connecting different cultures. In his book “Infected by Sound: The Music Market in the Age of Artificial Intelligence,” Stanisław Trzciński uses an incredibly suggestive term that refers to the processes occurring in music and the influence that music has on listeners. Can it be then considered that music truly infects us with sounds, affecting our thoughts, emotions, and well-being?
„Infected by sound”. Results of research on musical preferences in Poland (Part II)
![zarażeni dźwiękiem](https://i0.wp.com/polvinyl.pl/wp-content/uploads/2023/12/zarazeni-dzwiekiem-blog.jpg?fit=800%2C353&ssl=1)
In 2023, a unique book by Stanisław Trzciński titled “Infected by Sound: The Music Market in the Age of Artificial Intelligence” [Zarażeni dźwiękiem. Rynek muzyczny w czasach sztucznej inteligencji] was published in Poland (PWN, Warsaw 2023, pp. 939). It stands out not only due to its intriguing title (“Infected by Sound”) but also because of the conducted quantitative and qualitative research on musical preferences in Poland.
Fair Revenue Distribution from Streaming. Is it possible?
![Fair Revenue Distribution from Streaming. Is it possible?](https://i0.wp.com/polvinyl.pl/wp-content/uploads/2024/01/Fair-Revenue-Distribution-from-Streaming_blog.jpg?fit=800%2C353&ssl=1)
Perhaps not everyone listening to music on platforms like Spotify is aware of what happens to the money from paid subscriptions.
Maintaining the Audience’s Attention as a Challenge in Today’s Music Industry
![the concept of the "attention economy" is used to describe the activities of media publishers, and it also applies to the music industry](https://i0.wp.com/polvinyl.pl/wp-content/uploads/2023/11/attention-span-blog.jpg?fit=800%2C353&ssl=1)
In today’s dynamic world, where information bombards us from every direction, retaining the audience’s attention becomes a challenge for many industries, including the music industry. In this article, we will focus on the issue of retaining the audience’s attention, stemming from the influence of the so-called “attention economy.”
“Infected by sound”. Results of research on musical preferences in Poland. (Part I)
![zarażeni dźwiękiem](https://i0.wp.com/polvinyl.pl/wp-content/uploads/2023/12/zarazeni-dzwiekiem-blog.jpg?fit=800%2C353&ssl=1)
In 2023, a unique book by Stanisław Trzciński titled “Infected by Sound: The Music Market in the Age of Artificial Intelligence” was published in Poland (PWN, Warsaw 2023, pp. 939). It stands out not only due to its intriguing title (“Infected by Sound”) but also because of the conducted quantitative and qualitative research on musical preferences in Poland.
Young People and Music. How Generation Z Consumes Music
![](https://i0.wp.com/polvinyl.pl/wp-content/uploads/2023/11/young-people-blog.jpg?fit=800%2C353&ssl=1)
Research study on how young people aged 18–34 consume music, what their preferences are, and what truly influences their choices.
Spotify’s Premium Subscriber Growth
![](https://i0.wp.com/polvinyl.pl/wp-content/uploads/2023/10/spotify-be-or-not-to-be-AlexanderShatov-blog.jpg?fit=800%2C353&ssl=1)
In the second quarter of 2023, Spotify’s global premium subscriber count reached an impressive 220 million.
Music Industry Insights: A Look at H1 2023 Trends and Developments
![Luminate Midyear Music Raport](https://i0.wp.com/polvinyl.pl/wp-content/uploads/2023/12/Luminate-Midyear-Music-Raport-blog.jpg?fit=800%2C353&ssl=1)
In the dynamic realm of the music industry, the first half of 2023 has witnessed a wave of shifts., as shown by the LUMINATE report.